The Play Makers: How New American Writing Makes It to Broadway
Is drama dying on the Main Stem? Not if these writers (and some enterprising nonprofits) can help it.
Is drama dying on the Main Stem? Not if these writers (and some enterprising nonprofits) can help it.
Sholem Asch’s groundbreaking 1906 play, the subject of the Broadway-bound ‘Indecent,’ gets a new Yiddish revival.
The writer of ‘The Brother/Sister Plays’ will head Yale’s playwriting program and serve as Yale Rep’s playwright-in-residence.
The latest installment of TCG’s annual industry report finds companies adapting to a changing world and connecting with their communities.
The arts are central to community life, and many theatres are pioneers in civic engagement.
He is set to assume his post in early November.
Sholem Asch’s contested Yiddish classic is grist for Vogel and Taichman’s meditative new play-within-a-play.
Schwartz brings her experience at nonprofit arts organizations to the California theatre.
The lineup will feature work by August Wilson, Sarah Ruhl, Amy Herzog, and more.
Jen Silverman’s newest play, running at Yale Rep, is inspired by the Brontë sisters and Victorian Gothic, with a contemporary twist.