Matt Barbot’s ‘beautiful land’: This Time It’s Personal
His fantastical new play at Pregones/PRTT puts real and fictional Puerto Ricans on a wild train ride through history and politics.
His fantastical new play at Pregones/PRTT puts real and fictional Puerto Ricans on a wild train ride through history and politics.
A successor in the legendary role of Anita recalls her confidence-building encounter with the Broadway legend.
January looks back on the first female theatre manager, a new-play producer, a groundbreaking Black theatre artist, peak Broadway, and more.
Protests target the casting of Amar Ramasar, a dancer who was briefly fired from New York City Ballet in 2018 for sexual harassment.
Anne Teresa De Keersmaeker’s pared-down choreography may depart from Jerome Robbins’s original steps, but is it telling the same story?
How one dedicated director is keeping the theatre program alive and kicking at a struggling New York school.