Are the Ticket Prices Too Damn High?
Box office isn’t the main revenue source for most nonprofit theatres, nor is pricing the biggest barrier for most patrons—but both sides of this exchange could benefit from more transparency.
Box office isn’t the main revenue source for most nonprofit theatres, nor is pricing the biggest barrier for most patrons—but both sides of this exchange could benefit from more transparency.
The season will feature works from Lauren Gunderson, Neil Simon, and a TBA world premiere.
New plays by Amir Nizar Zuabi and J. Nicole Brooks and a capture of Jefferson Mays’s ‘Christmas Carol’ are among the highlights of a busy week.
An especially strong week of archival recordings and live readings of buzzy plays.
From festival readings to benefit cabarets, on-demand stage captures to immersive soundscapes, there’s no shortage of at-home theatre.
The company’s 25th season includes a ‘Frankenstein’ double feature and a holiday co-production with Lone Star Circus.
The lineup marks the first full season programmed by producing artistic director Shane Peterman.
The native Texan, who has experience producing and performing, stepped into the leadership role on March 1.
Hired by the Texas theatre just 2 years ago, Schultz cites ‘structural issues’ as the reason for her departure.
Up for a post-show discussion? Four a.d.s explain why they are—and you just might be too.