NYC Festival Wrapup: Emotional Rubble, Glam Rock and Spiritual Cojones
This year, dozens of shows in a few weeks pushed boundaries and pointed in invigorating new directions for performance and performers.
This year, dozens of shows in a few weeks pushed boundaries and pointed in invigorating new directions for performance and performers.
Four- to six-hour performances seem to be proliferating at this year’s Under the Radar and COIL festivals. Why do artists—and audiences—want to go long?
In dramatizing questions about the man whose beating by police incited riots, solo artist Roger Guenveur Smith finds story that’s deeply American—and quintessentially L.A.
Under the Radar and the COIL unveil slates of returning favorites, durational experiments, multi-disciplinary ventures and more.
With Under the Radar, Coil, PROTOTYPE, American Realness, Other Forces, January is festival season in New York City. So snap out of it.
The ever-expanding production gambles for high stakes.
Shape-shifting ensembles are surfacing on major U.S. stages, trailing new techniques and changing the playmaking rules.
This year’s vast mixture of work spotlighted new possibilities with respect to time, place and the nature of nurture in theatre today.
Calling all dramaturgs, one-time dramaturgs, would-be dramaturgs! What production in the coming season have you heard about that you wish you were working on as a dramaturg? What is it about this show that afflicts you with dramaturgical envy?