Nine adaptations of Shakespeare’s “The Tempest,” ranging from American Repertory Theater to Cornerstone Theater, that shows you don’t need to do it as a straight play, or set it in Italy, to make it magical (though you can add real magic if you’re really ambitious).
The versatile and busy director talks about her devotion to both art and activism, and how she’s fused the two with Public Works.
Director Aaron Posner teams up with Teller to include magic in their production of “The Tempest” at the American Repertory Theater.
A look at a recent production at Chicago Shakespeare Theater, in association the Redmoon Theater.
The practiced lighting designer makes an auspicious and instructive directorial debut at the Guthrie.
