The Right (to) Protest
The war in Gaza has put a fresh spotlight on the question of what theatres and artists should say or do in response.
The war in Gaza has put a fresh spotlight on the question of what theatres and artists should say or do in response.
How Lloyd Suh’s ‘The Chinese Lady’ made it through 2 years of pandemic, protest, and anti-Asian hate to emerge as the nation’s most-produced and possibly most essential play.
Lloyd Suh’s play, which will be the most-produced of the coming season, speaks directly both to our tangled past and our complicated present.