The Subtext: Jonathan Payne and the Sea of Stories
This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.
This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.
In his latest play, published in full in our Fall print edition, the writer/performer probes implicit ableism and the assumptions we make about people we’ll never really know.
A total of $76,000 from licensing fees and publishing royalties of ‘Slave Play’ will be randomly awarded to 152 writers.
Theatremakers may be uniquely qualified to lead the way to a regenerative culture of climate justice.
The work at New York City’s small indie theatres may be blessedly strange, but the challenges they face are all too familiar.
The composer behind ‘Great Comet’ and ‘Ghost Quartet’ makes music into theatre, and vice versa.
In the newest addition to NYC’s January festivals, Theresa Buchheister curates a selection of homegrown experimental work.
Modesto Flako Jimenez and Brooklyn Gypsies offer the theatre’s first Spanish-language play, a drama about forced migration.
Formative collaborative experiences in Brooklyn and Berlin inform this couple’s work with the Detroit-based company A Host of People.