John Mahoney, Stage Creature and Child of God
This private, devout, and thoughtful man shared so much of himself onstage because that’s where he had the most to give to others.
This private, devout, and thoughtful man shared so much of himself onstage because that’s where he had the most to give to others.
The man who embodied Chicago acting was most alive on its stages, sharing his gift with the colleagues and audiences who shaped him.
National Stages creates a cross-subscription program for audiences on the move.
The birth of North America’s first professional troupe, the collapse of Zero Mostel, controversies, mergers, and more.
Inspired but not daunted by Steppenwolf’s history, she lit up its stage for three decades.
My Steppenwolf colleague was effervescent, fearless, alluring, and irreplaceable.
Why my play ‘Pass Over’ inspired a whitelash—and a backlash against it from artists who felt targeted.
Local theatre artists rise in revolt against Sun-Times critic Hedy Weiss, raising questions about racism and free speech.
How Martha Lavey grew into a leadership role she was born to play, not only for her company but for her city and for the American theatre.
Chicago just lost one of its most valuable players, Sam Roberson Jr. of Congo Square Theatre. His friends and colleagues remember him in their own words.