Theatre of the Americas, Both Ancient and New
We share more than colonial history with Central and South America; we also share theatrical traditions. But it can take a little re-exploration to map them.
We share more than colonial history with Central and South America; we also share theatrical traditions. But it can take a little re-exploration to map them.
A collection of not-so-straight plays, an ensemble-devised work and an African-American living-room play made up the main slate at Actors Theatre’s annual new-play gathering.
How a bi-national production of ‘Antigone’ took shape in remote Brzezinka, where Grotowkski’s animating spirit still holds sway.
Theatre is born of collective effort and aspiration. Maybe that’s why it’s such a powerful vehicle of social engagement, and why activist artists are drawn to it.
More than an acting exercise or a comedy gimmick, improv may have grown into the legit theatrical genre some of its pioneers always envisioned.
Designers tell us what shows they’re dying to see (and hear) in the coming season.
From June 19–21, AT’s parent company, Theatre Communications Group, held its 24th annual national conference, titled “Crossing Borders.” AT recapped the opening plenary, “To the Mountaintop” on Thursday, June 19, 2014.
The internet is spreading musical theatre like Benj Pasek and Justin Paul’s “Edges” to a wider audience, and allowing small productions to become big hits.
A preview to the special international section featured in the May/June 2014 issue.
For the playwright and the actor, playwriting is a game of push and pull, and being led past the comfort zone.