Sure, Art Is Immeasurable, But People Need to Get Paid
Nonprofit theatre may be driven primarily by mission, not the market, but that’s no excuse for inequity.
All Stories About Special Section
People Who Teach People
The craft of musical theatre is passed between generations—from teacher to student and from student to teacher.
The U.S. Is a Latin American Country Too
Multiplicity defines our past and our future, and nowhere is this more true than in the Latinx theatre movement in the U.S.
They’ll Make a Production of It
Artists build the imaginary worlds of the stage; producers and managers build the actual worlds where imaginations can play.
The Best of Times…
Is the American playwriting glass half full, or half empty? Drink up this special issue before you answer.
Our Roles in the Drama
‘Political theatre’ should not be an automatic putdown; both politics and theatre can lie or speak truth, depending on how they’re used.
The State of Our Theatre Nation
More than 1,100 theatre folks from all over the world gathered, connected, testified, and strategized at TCG’s conference in Washington, D.C.
#TCG16 Plenary 1: Standing Ground
An award for John O’Neal and a stirring keynote from Anna Deavere Smith began the conference at the intersection of civil rights and theatre.
The Great Color-Consciousness Raiser
Why reprint a 20-year-old speech? Less to show how far we’ve come (or not) than to marvel at what a great artist still has to say to us now.
Stuck in the Middle: Dispatches From the Middle East and North Africa
Though the regions’ names suggest they lack their own centers of gravity, culture helps forge a common identity in spite of war, plunder, and devastation.
