Closing the Great Divide
The success of Black artists should be good for Black theatres, but too often there’s a disconnect.
The success of Black artists should be good for Black theatres, but too often there’s a disconnect.
Arts and theatre programs won’t fix our nation’s incarceration problem, but they can do concrete and demonstrable good.
From emerging talents to unsung veterans, our regular Role Call feature shines a light on folks you ought to know.
The key word here isn’t ‘best’ but ‘practices,’ emphasis on the plural.
As theatres claim a role at the center of community life, the aim is transformation, not transaction.
The scourge of abuse and harassment in the theatre has forced us to reconsider the way we cover our field.
To tell the story of theatrical lighting design, we need to get beyond adjectives and surfaces.
America’s self-definition as a nation of immigrants is under threat, as are immigrants themselves. How are U.S. stages and artists dramatizing this moment?
Our nation’s Native history is all around us, if we would only pay attention. One place to look: at a rising generation of Native theatremakers.
What do we owe to this quarter-century-old American classic? More life.