What We Owe the Dead
A poet/playwright reflects on the disturbing, arresting lessons of the Greek plays she’s wrestled with for much of her career.
A poet/playwright reflects on the disturbing, arresting lessons of the Greek plays she’s wrestled with for much of her career.
Philip Boehm’s company debuts a new translation of Sophocles tragedy in a post-Ferguson St. Louis, and the resonances haven’t escaped him.
The World Cup meets the collapse Western civilization.
The world’s oldest plays continue in our time to be staged, restaged, mulled over, written about. What accounts for their enduring fascination?