Dance or Theatre? Yes.
From Martha Clarke at Signature Theatre to Third Rail Projects at the Denver Center, resident theatres are partnering with dance-theatre companies to create genre-bending bodies of work.
From Martha Clarke at Signature Theatre to Third Rail Projects at the Denver Center, resident theatres are partnering with dance-theatre companies to create genre-bending bodies of work.
The artistic director of LCT3 at Lincoln Center will take over from the theatre’s founder, James Houghton.
For the author of ‘One Flea Spare’ and ‘Night Is a Room,’ the why of playwriting is vastly more important than the how. Still, she has some pointers about both.
The actor Brandon Dirden speaks about his life’s work, while playwright Mac Rogers branches out into a perfect new medium for his talents.
Stephen Karam’s ‘The Humans,’ like Annie Baker’s ‘John,’ uses realism to sharpen our attention to something bigger.
From a car-driven opera in L.A. to a roller coaster musical in Chicago, from education projects to exciting turnovers, fall is busting out all over.
The 85-year-old playwright is still on a path of discovery, with ‘Love and Money’ at Signature Theatre and a Broadway revival of ‘Sylvia.’
The native language of theatre is artifice, but as Annie Baker’s ‘John’ proves, it doesn’t always feel that way.
The author’s new play about the advance of technology offers tweet seats, an interactive hallway entrance and a microsite.
Dozens of artists and companies will be part of the 2-month tribute to female playwrights.