A Stripped-Down ‘Streetcar’ Rolls West
A new 4-actor version of Williams’s classic, which played last year at alternative NYC spaces, is headed for L.A., then Yale.
A new 4-actor version of Williams’s classic, which played last year at alternative NYC spaces, is headed for L.A., then Yale.
After 19 years at the Texas theatre and decades of leadership at U.S. theatres, Gladden will step down on June 30, 2025.
Program highlights include updates on funding, real estate, community resources, and advocacy
Bookended with plays by Black women writers across the span of a century, this month’s survey includes the founding of an influential political theatre, a path-breaking First Nations narrative, and more.
This month Brian speaks with the Playwrights’ Center core writer and co-artistic director of Minneapolis’s Red Eye about chance encounters and her relationship to future thinking.
There was no physical damage to the theatre building, but the company’s fate feels precarious, and not just due to the hurricane, said artistic director Charlie Flynn-McIver.
A roundup of prizes, fellowships, and other recognitions.
On this episode we broke the news of which plays and playwrights will be the most produced this season. Listen in on a conversation between the editors and some most-produced playwrights on new play development.
2 new volumes by and about a pioneering Appalachian company celebrate decades of work, though they also deserve scrutiny.
An interview with the playwright of ‘Salesman之死,’ about Arthur Miller’s collaboration with Chinese theatremakers on the premiere of his signature play in Beijing in 1983.