Where the Show Begins in the Lobby
Some theatres are finding ways to coach audiences into the world of the play before the curtain ever goes up.
Some theatres are finding ways to coach audiences into the world of the play before the curtain ever goes up.
Aaron Holland’s new musical expands a minor character from ‘War and Peace’ into an inspiration for a full-blown musical about a modern-day daydreamer.
In ‘Steal Heaven’ at San Diego REP, Herbert Siguenza imagines what ’60s icon Abbie Hoffman would think of our iPhone-and-drone age.
The Minneapolis presenter tries a membership model for offerings by its 15 resident companies. Netflix for the theatre, anyone?
Twelve-hour Greek plays, white face, drag queens, gender parity…the contributors and editors of “American Theatre” reminisce on what they loved most in the theatre in 2014.
The backstage drama between D.C.’s influential Jewish theatre and its former artistic director Ari Roth has been as riveting, and as disputed, as anything on its stage.
An eight-foot-tall puppet Cruella de Vil and mod hair anchor Children’s Theatre of Charlotte and Imagination Stage’s coproduction of ‘101 Dalmatians.’
Artists at Arden Theatre, Synetic Theater and Theatre Britain talk putting an original, non-Disney spin on “Beauty and the Beast.”
As he gears up for another festival January, the downtown impresario weighs in on a busy and changing scene.
For the Pasadena Playhouse’s newest associate a.d., community engagement and theatremaking aren’t just entwined, they’re inseparable.