Highlights include real-life couple Audra McDonald and Will Swenson doing O’Neill, Eric Bogosian and Cynthia Nixon as literary types, and a double header of new British plays.
James Ortiz’s young company uses a mix of puppetry and human actors to create a wordless ‘Wizard of Oz’ prequel.
For their version of Bram Stoker’s classic vampire tale, the design team at the Alley Theatre channeled the ghost of Edward Gorey.
Language and culture, not race, are the faultlines in a new adaptation of Shakespeare’s tragedy by Norwegian director Stein Winge.
The state’s largest Equity house fosters collaboration, not competition, by partnering with nearby companies, including the Pollard Theatre and the Poteet Theatre.
Armed with generous federal funding and a research partner, the Tempe-based company is helping teachers introduce drama into the classroom, with a special emphasis on language learning.
A Detroit-based multimedia collective and the director of the Public Theater’s Public Works program are invited to create new urban arts projects for Dallas.
He wrote his best play last, but it’s a mistake to think of the rest of the playwright’s thorny, ambitious, stammeringly poetic work as simply a warmup for ‘Long Day’s Journey Into Night.’
This 49-seat venue in a small suburb west of Chicago serves its neighborhood with new plays at neighborly ticket prices.
The reeling ecstasy of the troupe’s new “record album interpretation” comes via the most straightforward means imaginable.
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