Do You Hear the People Sing?
In staging a revolution and its confusing aftermath, the musical ‘We Live in Cairo’ also seeks to dramatize the everyday life of Arabs.
In staging a revolution and its confusing aftermath, the musical ‘We Live in Cairo’ also seeks to dramatize the everyday life of Arabs.
Sondheim and Weidman’s masterpiece about Japan’s ‘opening’ to the West returns to an L.A. company whose history with the show is as tightly intertwined as its subjects are.
In an excerpt from the new book ‘Women Writing Musicals,’ we learn about the songwriter who became the first woman to write music and lyrics for a full Broadway score, in 1942.
Two new books lift the voices of designers and production workers on their art and their labor.
A roundup of prizes, fellowships, and other recognitions.
Beyond sensory “friendly,” these theatremakers are pushing the frontier of theatre that is truly for all audiences.
The Massachusetts collective, known for its site-roving parade spectacles, also convenes artists and activists and community around its rural roots.
This celebration of community stretched over weeks and connected Latine and Latin American performance.
A new adaptation of Sophocles’s classic will be staged at a museum that once held Native remains—but it’s hardly a staid museum piece.
This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.