Longform Improv Goes the Distance
More than an acting exercise or a comedy gimmick, improv may have grown into the legit theatrical genre some of its pioneers always envisioned.
More than an acting exercise or a comedy gimmick, improv may have grown into the legit theatrical genre some of its pioneers always envisioned.
How a troupe of L.A.-based improvisers reawakened one critic’s taste for the possibilities of live theatre.
The distance from the Royal Shakespeare Company to the Improvised Shakespeare may not be as far as you think.
A director whose stage career spanned improv, tragedy, even musicals, as well as some very fine film adaptations of plays.
When the nation’s most powerful newspaper chooses to review new plays in early productions outside New York, is that helping or hurting the field?
Two new plays in two different cities raise new questions about shadowy government plots of the 1980s. Coincidence?
A lesbian spin on “The Women” takes the top prize for new feminist plays by women.
The composer’s new hybrid work takes on myths and truths of Los Angeles, as well as one of his recurring subjects: the musical-theatre form itself.
Honored with the Steinberg Distinguished Playwright Award this week, the New York-based writer talks about his inspirations, his process and his memorable titles.
An historic gathering of Latina/o theatremakers put the focus firmly on the work and let the politics—including the identity politics—emerge, or not, from there.