20 Questions for Bridget Everett
The songwriter and performer behind the Joe’s Pub hit “Rock Bottom” chat about kitties, titties and raunchy ditties.
The songwriter and performer behind the Joe’s Pub hit “Rock Bottom” chat about kitties, titties and raunchy ditties.
With “California: The Tempest,” the pioneering community-focused company is showcasing its influential methodology, as well as the institute it’s created to teach it to others.
Meet a cadre of artists and companies who put social, political and civic causes at the forefront of their work.
Can theatre for social change be taught? Here’s a roundup of theatre-studies programs where arts activism is on the syllabus.
Two new books on Alexander technique demonstrate both the power and the pitfalls of conveying a hands-on practice in written form.
He led the New Jersey Shakespeare Festival through nearly three decades and the entire canon, but his best role may have been his soulful Cyrano.
In excerpts from speeches newly translated by Zack Rogow and Renée Morel, the celebrated author of ‘Gigi’ tells how she found her identity as a writer in the music halls of Paris.
Patricia Ariza and Joanna Sherman lead companies in war zones where female bodies and liberty are among the worst casualties.
Writers can’t live on commissions and royalties alone, so some theatres are adjusting the way they compensate them. Are these gestures enough to turn the tide?
Amid heated arguments over the city’s version of the Equity showcase code, a real and resonant debate about artists’ compensation seems to be emerging.