4 Companies Who’ve Picked Up Where 13P Left Off
From Orbiter 3 to the Workhaus Collective, companies have taken 13P’s playwright-focused production model and put their own spin on it.
From Orbiter 3 to the Workhaus Collective, companies have taken 13P’s playwright-focused production model and put their own spin on it.
At this year’s Edinburgh Festival Fringe, American artists leapt the fourth wall to hug, prod and party down with audiences.
With her new play, the writer of “In the Next Room” and “The Clean House” imagines parenting a very precious child.
The filmmaker and TV producer talks about why he prefers L.A. to his native New York, about plans for a “Pretty Woman” musical, and about beating “Miss Saigon” at softball.
The artistic director and executive director of Steppenwolf Theatre Company talk about their decisions to step down and the legacy they hope to leave.
Site-specific maven Anne Hamburger, back from producing live shows for Disney theme parks, is behind a new multimedia piece about U.S. Marines, ‘BASETRACK Live.’
International in its focus and its aesthetic, the Quantum Theatre has staged multidisciplinary, site-specific work all over Pittsburgh.
Halloween is weeks away, but things are already getting a little ugly this October, whether the bloodletting is graphic or the damage is internal. Even the kids’ shows this week are about a bat, a Gorgon and a big bad wolf. Be careful out there.
Georgia Shakespeare cofounder Richard Garner opens up about the factors that led to the closure of his theatre.
Among the names dropped in Terrence McNally’s ‘It’s Only a Play,’ currently on Broadway, are some of the theatre’s finest writers.