Signs of the Times: ‘Spring Awakening’ at Deaf West
A new singing-and-signing version of the rock musical puts its themes—voiceless youth, generational misunderstanding—into even sharper focus.
A new singing-and-signing version of the rock musical puts its themes—voiceless youth, generational misunderstanding—into even sharper focus.
The original ‘Wiz’ recalls its director as half-man, half-god—and as the ‘gigantic mythic crow’ who cawed a trouble show back to life.
After making an album together, the playwright/musician and singer/songwriter decided to collaborate on a new musical.
From Orbiter 3 to the Workhaus Collective, companies have taken 13P’s playwright-focused production model and put their own spin on it.
At this year’s Edinburgh Festival Fringe, American artists leapt the fourth wall to hug, prod and party down with audiences.
With her new play, the writer of “In the Next Room” and “The Clean House” imagines parenting a very precious child.
The filmmaker and TV producer talks about why he prefers L.A. to his native New York, about plans for a “Pretty Woman” musical, and about beating “Miss Saigon” at softball.
The artistic director and executive director of Steppenwolf Theatre Company talk about their decisions to step down and the legacy they hope to leave.
Site-specific maven Anne Hamburger, back from producing live shows for Disney theme parks, is behind a new multimedia piece about U.S. Marines, ‘BASETRACK Live.’
International in its focus and its aesthetic, the Quantum Theatre has staged multidisciplinary, site-specific work all over Pittsburgh.