Lyric Stage Sheds New Light on ‘Lady in the Dark’
The company’s landmark recreation of the Weill/Gershwin/Hart musical from 1941 sets out to recapture the show’s original glamour.
The company’s landmark recreation of the Weill/Gershwin/Hart musical from 1941 sets out to recapture the show’s original glamour.
The inheritor of the defunct L.A. Weekly Awards honored the town’s 99-seat-and-under theatres, which are feeling besieged at the moment.
Inspired equally by ‘Star Wars’ and Charles Ludlam, the Philly troupe’s ‘I Promised Myself to Live Faster’ explores the intersection of tween sexual awakening and sci-fi fantasy.
Retiring from a creative calling that never really paid my bills has been much harder than I’d imagined—but it seems to have already happened anyway.
Political corruption bleeds into private lives as boundaries are breached in performances at Hungary’s dunaPart3 showcase. (Part 2 of 2)
The Living Theatre cofounder embodied ‘beautiful, nonviolent anarchist revolution’ in her life and her art.
American Theater Company’s docutheatre piece ‘The Project(s)’ takes up residence at the intersection of poverty, race and real estate.
In the face of the country’s continuing rightward drift, independent theatres show their mettle at Budapest’s dunaPart3 festival. (Part 1 of 2)
TheatreWashington showered more awards than ever on D.C. theatre at the newly reorganized Helen Hayes Awards.
The playwright/performer will speak about her search for the American character, including pieces from work-in-progress about the school-to-prison pipeline.