The Conspiracy Theory Theatre of ‘Danny Casolaro’ and ‘Superheroes’
Two new plays in two different cities raise new questions about shadowy government plots of the 1980s. Coincidence?
Two new plays in two different cities raise new questions about shadowy government plots of the 1980s. Coincidence?
A lesbian spin on “The Women” takes the top prize for new feminist plays by women.
The composer’s new hybrid work takes on myths and truths of Los Angeles, as well as one of his recurring subjects: the musical-theatre form itself.
Honored with the Steinberg Distinguished Playwright Award this week, the New York-based writer talks about his inspirations, his process and his memorable titles.
An historic gathering of Latina/o theatremakers put the focus firmly on the work and let the politics—including the identity politics—emerge, or not, from there.
Amid the usual early trickle of holiday shows both strange and familiar are more intense fare: plays tackling meaty historical themes, some sweeping musicals, and piercing, intimate dramas.
Artistic directors Jenny Avery and Jason Loewith reflect on what made the Evanston theatre special, and why it ended this week.
A lap dance from a peanut-butter-covered werewolf? A hip-hop Dickens intervention? No wonder this comedy storefront attracts a young, rowdy ATL audience.
Expanding its mission beyond developing playwrights, the O’Neill will accept applications in January for its first National Directors Fellowship.
Humana’s next season brings in new voices and a few returning favorites. New and notable this time: a slightly more pronounced Kentucky twang.