Afternoon Delight: Why One Troupe Is Trying Out Friday Matinees
Move over, Wednesdays—New Georges is making a case for TGIF. And why not?
Move over, Wednesdays—New Georges is making a case for TGIF. And why not?
The tenor, who will play the role in Lyric Opera of Chicago’s ‘Carousel,’ also talks about vocal health, career advice and why it’s best not to ask him to dance.
Since joining the theatre’s staff four decades ago, he’s helped guide the Chicago theatre to national flagship status. It wasn’t an easy or inevitable climb.
His new play looks at aging parents and the children who care for them, and doesn’t mind laughing at the things that are beyond understanding.
The three collaborators discuss their writing process for the musical based on Alison Bechdel’s graphic memoir, which begins performances on Broadway on March 27.
In her new play, Young Jean Lee explores notions of privilege and identity by conducting an anthropological study of a very particular demographic.
The longtime actor never intended to be a director, but when his husband’s musical needed a leader, he stepped up and found a new passion.
Two groups united in the fight for gender parity in the theatre joined forces for a reading series, and they’ve only just begun.
He’s going back to his previous job at Shakespeare Festival St. Louis, he says, because it’s more artistic than administrative.
Robert Schenkkan and Neil Berg’s new show dramatizes the three days between the crucifixion—and whatever happened next.