Does God Have a Sense of Humor? Two Testaments on Broadway Say Amen
Robert Askins, writer of ‘Hand to God,’ talks with David Javerbaum, author of ‘An Act of God,’ about religion, theatre, and the music of comedy.
Robert Askins, writer of ‘Hand to God,’ talks with David Javerbaum, author of ‘An Act of God,’ about religion, theatre, and the music of comedy.
Anne Washburn’s new play at Soho Rep, about a troubled tech rehearsal, puts a fictional backstage crew and the show’s real backstage crew into a new kind of dialogue.
This week, teacher/performer/author Kameron Steele stops by to talk about a new book of Suzuki’s writing, and the editors argue about the Tonys and Bitter Lemons’ pay-for-reviews gambit.
How one dedicated director is keeping the theatre program alive and kicking at a struggling New York school.
At an April conference in Toronto, we came up with a plan for change that can take root and grow into a more equitable future for female theatre artists.
The author’s new play about the advance of technology offers tweet seats, an interactive hallway entrance and a microsite.
Modeling itself after Edinburgh, the Hollywood Fringe Festival may be bigger than ever, but the shows are still small, scrappy and uncurated.
The troupe’s 20th Summerworks festival, featuring plays by Jerry Lieblich, Kate E. Ryan and Jaclyn Backhaus, showcases both its downtown aesthetics and its experimental work ethic.
While CBS ran commercials, a lot of important, even historic, awards were doled out.
Colleagues remember the visionary cofounder of Theatre Three, who died two weeks ago.