Rutina Wesley, From ‘True Blood’ to ‘Twelfth Night’
The Old Globe’s newest Viola talks about same-sex attraction in Shakespeare, playing against type, and the wonders of Fiona Shaw.
The Old Globe’s newest Viola talks about same-sex attraction in Shakespeare, playing against type, and the wonders of Fiona Shaw.
Reporting for duty to the field I’ve had my eye on for decades.
From the birth of P.T. Barnum to the Broadway debut of ‘A Chorus Line,’ July has many historical events to boast about.
Shaw, Bentley, Tynan—it’s not so odd for professional critics to work the other side of the footlights. But there are a few ground rules.
Dang makes way for new leadership after 22 years at the helm of the nation’s oldest continually operating theatre of color.
This small one-stage theatre exclusively produces works by British playwrights, with an emphasis on farce and a specialty in panto.
How did Andrew Russell bring this venerable resident theatre back from the brink of debt and dysfunction? Slowly, carefully—and locally.
‘Off the Main Road,’ a long-unproduced play by the Kansas-born writer, will make its long-overdue premiere at Williamstown Theatre Festival this summer.
Just far enough from New York to get away and stretch with new work, but close enough for a day trip, Vassar’s Powerhouse has been a theatre development hub for 3 decades.
What can theatre possibly mean to migrant workers and refugees in one of the world’s most violent regions? Ask ‘Antigone.’