The Welders Get Ready to Pass the Torch to a New Crew of Theatremakers
The D.C.–based playwrights collective has found their replacements, who’ll take over in 2016 and steer the company in some new directions.
The D.C.–based playwrights collective has found their replacements, who’ll take over in 2016 and steer the company in some new directions.
As today’s cutting-edge puppeteers peer into the souls of animated objects, they’re seeing the future—or rather, the eternal present—of the theatre.
The ‘Great Comet’ composer returns to Russia for ‘Preludes,’ and this time it’s personal.
This year, Bitter Lemons’ annual critic’s panel wasn’t a discussion of the state of L.A. theatre criticism so much as a defense of the website’s controversial pay-for-review policy.
As the impact of their first list is still being felt, the group announces a new list that reflects steps to increase the diversity of voices.
The TCG conference closed with a panel of artistic leaders discussing artistic risk vs. institution-building, and feted two dedicated field veterans, Rhodessa Jones and Jim O’Quinn.
Conference attendees listened to one of America’s great listeners, StoryCorps’ Dave Isay, as he shared both how he captures people’s lives on tape—and why it’s worth doing.
Access and daring, expression and dramatic action were among the themes of a meaty morning plenary with ‘Fun Home’ writer Lisa Kron and NEA chairman Jane Chu.
Shakespeare’s themes of murder and mayhem resonate with prisoners, certainly, but so do his language, his humanity and his humor.
At the opening gathering of Theatre Communications Group’s 2015 National Conference, the topics include race, Cleveland, and performance by any means necessary.