Shrinking Space, Time Out of Mind
The paper of record dispenses with design credits, while ‘Futurity’ imagines a new musical theatre.
The paper of record dispenses with design credits, while ‘Futurity’ imagines a new musical theatre.
American musicals have often returned to Asian themes and settings—as theatrical tourists. ‘Allegiance’ starts closer to home.
From a car-driven opera in L.A. to a roller coaster musical in Chicago, from education projects to exciting turnovers, fall is busting out all over.
Adapted from T.C. Boyle’s 1995 novel, Matthew Spangler’s play tracks two couples united and divided by immigration.
In the Goodman’s production of August Wilson’s classic, the creative team wrapped a coal-dusted city around a struggling diner.
The Minnesota company builds community around dramatists with its annual 10-day festival devoted to developing new work.
Theatres across the nation are producing Steve Yockey’s upbeat ‘Blackberry Winter,’ but in his hometown it’s paired with a play in a more troubled vein.
In a life spanning a century of artistic adventure, trans-Atlantic exchange, and behind-the-scenes machinations, Seawell’s greatest legacy was transforming downtown Denver.
This week representatives from the Asian American Performers Action Coalition school American Theatre editors on better ways to talk about cultural appropriation and yellowface, and offer tips both for interpreting problematic works from the past and for creating new, more diverse work.
Part church service, part confessional, part standup routine, the playwright/performer’s new show mines intestinal distress for laughs and discomfort.