A ‘Wild’ Coincidence Revisited
A new concert staging of Andrew Lippa’s ‘The Wild Party’ rekindles comparisons with Michael John LaChuisa’s version from the same bygone season.
A new concert staging of Andrew Lippa’s ‘The Wild Party’ rekindles comparisons with Michael John LaChuisa’s version from the same bygone season.
Sometimes theatre journalists write insensitive things. We all have unconscious biases, after all—but we can do better.
Teen councils aren’t just about building young audiences; they’ve grown into powerful leadership-building and advocacy tools.
From obscure classics to populist musicals and thrillers, Hartford Stage artistic director Darko Tresnjak is in the midst of a killer career.
She may have moved beyond the big bring-the-curtain-down numbers, but the singer can still bring down the house. Next: ZACH Theatre’s Ellington revue.
It is theatre’s blessing and curse that it shares space with all of humanity—even humans with cell phones.
The playwright of ‘Ruined’ and ‘Intimate Apparel’ talks about her new play, inspired by America’s ‘de-industrial revolution’ and bowing this month at Oregon Shakespeare Festival.
One audience member trying to plug his phone into a Broadway set is not the end of civilization—nor should a ‘why not’ attitude be entirely unwelcome in the theatre.
With a renewed focus on equity, diversity, and inclusion, the 25th conference brought together the nation’s theatremakers to share strategies and challenges, as well as drinks and laughs.
A new play about loss and memory contemplates a world full of eternal afterimages—‘primes’—that can learn to look and act like us. But how will they feel?