Offscript: Susan Booth and a Wild Party
Susan Booth, artistic director of Alliance Theatre, defines white privilege and explains why she doesn’t do classics. Also, the editors talk the Count and ‘The Wild Party.’
Susan Booth, artistic director of Alliance Theatre, defines white privilege and explains why she doesn’t do classics. Also, the editors talk the Count and ‘The Wild Party.’
In her raunchy new solo show ‘Pound,’ the solo performer takes on filmic stereotypes—and tries to one-up crude male comics.
Over two weekends, writers at the Bay Area Playwrights Festival get two passes at their work, and their needs are as different as their plays.
They may have lost their regular Brooklyn performance space, but Radiohole is back with another inimitable mess.
Sisters are doing it for themselves in the city of brotherly love with a new women’s theatre festival.
The design team explains how they constructed an Airstream trailer—and the Rocky Mountains—inside a low-ceilinged black box.
A new Dramatist Guild/Lilly Awards study shows encouraging trends in new-play productions by women nationwide, and there’s nowhere to go but up.
Why do we spell it ‘theatre’? As with many questions of language, there’s a simple answer but not a ‘right’ one.
A new concert staging of Andrew Lippa’s ‘The Wild Party’ rekindles comparisons with Michael John LaChuisa’s version from the same bygone season.
Sometimes theatre journalists write insensitive things. We all have unconscious biases, after all—but we can do better.