If a Deaf Musical Is Possible, There Is Room on Our Stages for Everyone
The artistry of Deaf and disabled theatre workers has been amply demonstrated. Why aren’t they centerstage more regularly?
The artistry of Deaf and disabled theatre workers has been amply demonstrated. Why aren’t they centerstage more regularly?
If Deaf stories and actors are having a moment, from ‘Spring Awakening’ to ‘Tribes,’ it’s only because the rest of the world is finally discovering a well-established theatrical tradition.
Obviously theatres should give priority to disabled actors in roles defined as disabled. The next step: to consider them for all roles.
An Anatomized Philippic Regarding the Relationship of Disability to the Contemporary American Theatre
As the first wheelchair-using performer ever cast on Broadway, Stroker isn’t just realizing a dream; she’s making it possible for others like her to dream, as well.
How a seminal friendship changed my views on disability—and prepared me for my own.
As a local mainstay gets booted from its home, the question arises: Is Austin pricing out its artists?
A theatre in a tropical climate where year-round residents and snowbirds flock together is producing its first contemporary play by a local playwright.
Chicago’s Red Theater is translating Shakespeare for its new show: They’re putting his verse into American Sign Language.
British and American artists working at the outer boundaries of gender, race, and live art will gather for a weekend of performances, talks, and an intergenerational, intersectional feminist check-in.