Distilling ‘Hee Haw’ Into ‘Moonshine,’ a Musical with More Than Just Hayseed Har-Hars
Bookwriter Robert Horn, along with Nashville song pros and director Gary Griffin, aims for the heart as well as the humor of the TV variety chestnut.
Bookwriter Robert Horn, along with Nashville song pros and director Gary Griffin, aims for the heart as well as the humor of the TV variety chestnut.
What happens when writers accustomed to grown-up audiences aim younger? The results can be rich and rewarding for all concerned—though there are pitfalls.
As impish as he was earnest, as reliable as he was sensitive, the theatre’s longtime managing director led by actions as much as words.
Who knew that grammar was a front in the battle for fuller gender expression? Well, duh.
Best known stateside as the big-screen Eponine, Barks throws herself into the role of a mischievous French waif.
They have little in common but their country of origin, but the former director of the National and the founder of Theatre Workshop are British leaders to be reckoned with.
This two-stage theatre makes a home for innovative new works, with frequent world premieres and no play older than five years.
The Chinese opera diva, who has revivified a classic form, rides a wave of adulation to Lincoln Center.
In his funny, heartrending new play ‘Guards at the Taj,’ the writer of ‘Bengal Tiger at the Baghdad Zoo’ and ‘Gruesome Playground Injuries’ asks big questions through two small lives.
The native language of theatre is artifice, but as Annie Baker’s ‘John’ proves, it doesn’t always feel that way.