The Wild and Woolly Worlds of Playwright Sibyl Kempson
The experimental theatremaker takes her cues from the natural world, the subconscious, and feminist thought in her genre-defining works.
The experimental theatremaker takes her cues from the natural world, the subconscious, and feminist thought in her genre-defining works.
Sometimes she directs and he acts, sometimes vice versa. For Wyoming’s Pete and Lynne Simpson, it’s all in a life’s work.
Tom Lazarus’s new play ‘Princes of Kings Road’ traces two Viennese modernists who briefly worked together, then split up—then met again in an L.A. hospital.
As young actors at Harvard, they formed a kind of de facto theatre company. Then they hit the pavement in New York. Here’s the story of their last 20 years.
A new historical drama at New Jersey’s Premiere Stages sifts through the history of Seneca Village, a black and immigrant community razed for Central Park.
Oregon Shakes’s history-play commissioning project may not have funded the founding fathers hip-hop musical everyone’s talking about, but their slate so far is pretty revolutionary anyway.
Gentle but passionate, as handy with farce as with tragedy, the late director brought together the Bay Area’s disparate theatrical tribes like no one else.
The farm-based Massachusetts company draws upon the life of lead actor Carlos Uriona for ‘Once a Blue Moon.’
The Windy City storefront mainstay loses its home at the Angel Island Theater after nearly three decades.
Jeremy Gable’s ‘The 15th Line’ gathered attention as a Twitter play in 2010. Now Erin Mee is bringing it back.