In Hollywood, Theatre Is Already on the Fringe, So Why Not Name It and Claim It?
Modeling itself after Edinburgh, the Hollywood Fringe Festival may be bigger than ever, but the shows are still small, scrappy and uncurated.
Modeling itself after Edinburgh, the Hollywood Fringe Festival may be bigger than ever, but the shows are still small, scrappy and uncurated.
The troupe’s 20th Summerworks festival, featuring plays by Jerry Lieblich, Kate E. Ryan and Jaclyn Backhaus, showcases both its downtown aesthetics and its experimental work ethic.
While CBS ran commercials, a lot of important, even historic, awards were doled out.
Colleagues remember the visionary cofounder of Theatre Three, who died two weeks ago.
Plays in Nashville Rep’s Ingram New Works Lab go from seedling to sapling. The town’s new-play scene, and the appetite for it, is growing, too.
One week each year, a Nebraska campus becomes a hub for playwrights to rekindle camaraderie and dreams—oh, and present some fierce new work.
Robert O’Hara’s new play for Woolly Mammoth mixes Jacobean drama with political satire and the zombie apocalypse to make a statement about the undead way we live now.
The theatre’s Disability Visibility Project aims to encourage more productions from a growing theatrical literature, and more work for disabled artists.
She already crossed a gender line. Now this northeast Ohio critic is crossing another barrier to become a playwright/performer.
A new exhibit at the New York Historical Society and a new book celebrate both the timeliness and the timelessness of the caricaturist’s work.