‘Pot Mom’ Gets Relit in Nashville, and I’m Having Flashbacks
Justin Tanner’s great 1990s comedies taught me about the beautiful impermanence of theatre. But artists keep creating, and plays can be revived. Maybe you can go home again.
Justin Tanner’s great 1990s comedies taught me about the beautiful impermanence of theatre. But artists keep creating, and plays can be revived. Maybe you can go home again.
The annual festival takes over the ‘City of Neighborhoods’ with new work and new forms.
The city-bred playwright has gotten to know another America in rural Oregon, where both liberal and conservative communities are failing their young people.
I never thought I’d write a sequel, but then I had an idea—and now I have ‘A Comedy of Tenors,’ in which Tito and company get an encore.
Serenbe Playhouse set their timeless production of Tennessee Williams’s classic in a confined and contemporary space.
This small performance space has built a cult-like following for its in-your-face aesthetic and pay-as-you-can ticketing policy.
In Bruce Graham’s new play, Wendt plays an actor known for a single iconic role who’s trying to break the mold—unlike Wendt himself, who seems content with the comedic.
As our website nears its first birthday, it’s clear we’re reaching more of you—and vice versa.
From the Trojan War to the Civil War, World War I, and beyond, a look back at past Septembers in the American theatre.
Walden Theatre and Blue Apple Players have shared programs and personnel for years. Now they’re taking their relationship to their next level.