My Gig With Frank D. Gilroy
Always the pro—and always writing—the Pulitzer-winning playwright and screenwriter was an ideal collaborator and friend.
Always the pro—and always writing—the Pulitzer-winning playwright and screenwriter was an ideal collaborator and friend.
Meg Miroshnik’s ‘The Droll’ looks at the theatre of Elizabeth’s time, while Karin Coonrod’s ‘texts&beheadings/ElizabethR’ deconstructs her language.
Theatremakers across the country talk about exciting works featuring or created by female or transgender artists.
This week’s episode is a doozy. Ayad Akhtar stops by to talk about his play ‘Disgraced,’ the most-produced play in 2015-16. Plus, the ‘New York Times”s Charles Isherwood and ‘Chicago Tribune”s Chris Jones drop in.
The creators of ‘Theater of War’ and ‘ReEntry’ compare notes on adapting and creating cathartic experiences for servicemembers and other hard-hit communities.
In ‘Tiger Style!’ the playwright takes a personal look at the Tiger Mother, and how success and happiness don’t always go hand-in-hand.
A new show at Black Ensemble Theater sets Chaz and Roger Ebert’s storied romance to music.
Year after year, our national season preview survey shows a 4-to-1 ratio of male to female playwrights. What can we do about it?
Of 1,914 shows planned for the 2015-16 season, how many are written by women? We’ve got the stats.
Theatres that continue to program male-dominated seasons deserve scrutiny. But what about the many companies that are trying to get the balance right?