George Wendt, Staying Mostly Within the Norm, Stars in Northlight’s ‘Funnyman’
In Bruce Graham’s new play, Wendt plays an actor known for a single iconic role who’s trying to break the mold—unlike Wendt himself, who seems content with the comedic.
In Bruce Graham’s new play, Wendt plays an actor known for a single iconic role who’s trying to break the mold—unlike Wendt himself, who seems content with the comedic.
As our website nears its first birthday, it’s clear we’re reaching more of you—and vice versa.
From the Trojan War to the Civil War, World War I, and beyond, a look back at past Septembers in the American theatre.
Walden Theatre and Blue Apple Players have shared programs and personnel for years. Now they’re taking their relationship to their next level.
The experimental theatremaker takes her cues from the natural world, the subconscious, and feminist thought in her genre-defining works.
Sometimes she directs and he acts, sometimes vice versa. For Wyoming’s Pete and Lynne Simpson, it’s all in a life’s work.
Tom Lazarus’s new play ‘Princes of Kings Road’ traces two Viennese modernists who briefly worked together, then split up—then met again in an L.A. hospital.
As young actors at Harvard, they formed a kind of de facto theatre company. Then they hit the pavement in New York. Here’s the story of their last 20 years.
A new historical drama at New Jersey’s Premiere Stages sifts through the history of Seneca Village, a black and immigrant community razed for Central Park.
Oregon Shakes’s history-play commissioning project may not have funded the founding fathers hip-hop musical everyone’s talking about, but their slate so far is pretty revolutionary anyway.