This week’s guest is director/auteur Mary Zimmerman, who discusses her traditional treatment of Leonard Bernstein’s “Wonderful Town” and her newest adaptation: “Treasure Island.” Plus the editors discuss 2015 theatrical highlights and our wishes for 2016. Happy holidays everyone!
In seeking to transform the Wilma Theater into a company with its own aesthetic code, its artistic director is rediscovering her own passions as well.
Modesto Flako Jimenez and Brooklyn Gypsies offer the theatre’s first Spanish-language play, a drama about forced migration.
Among the bounty of items in the Ransom Center’s exhibit about the Bard will be the assassin’s script for ‘Richard III.’
Carrie Coon, Crystal Dickinson, Maria Dizzia, Daniel Duque-Estrada, Stephen McKinley Henderson, and Jon Norman Schneider talk training, acting process, and the mind/body connection.
The writer shares her experience of spending 10 months in Blue Lake, Calif., at the Dell’Arte International School of Physical Theatre.
How circus arts companies are training artists to become both actors and acrobats.
Theatre companies and training programs are incorporating physical acting training to strengthen ensembles and improve performance.
Dublin Theatre Festival attracted more than 50,000 people to an 18-day festival in Ireland’s capital city this fall.
The electro-pop musical is challenging traditional theatre barriers in content, design, and architecture.
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