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Front and Center This Month

Fairy tales, history both documented and reimagined, and works in translation are recurring themes this month.

A performance piece used bits of copyrighted plays to critique the portrayal of women in contemporary theatre. Was it fair use or out of bounds?

Nate Eppler’s new play explores the aftermath of a police officer-involved shooting.

After decades in its historic Glen home, the company races to build a new outdoor stage for a July opening.

In adapting Roberto Bolaño’s sprawling, disturbing novel for the stage, Robert Falls and Seth Bockley faced some tough choices.

One of L.A.’s best small theatres runs like a business, minus the finances but not the headaches.

Auditioning for undergraduate theatre programs can be stressful, but it’s all about finding the right fit.

From North America’s first theatre to a performer’s biggest success, a look back at theatrical happenings this month in years past.

Jen Silverman’s newest play, running at Yale Rep, is inspired by the Brontë sisters and Victorian Gothic, with a contemporary twist.

Denver- and Charlotte-based theatres make a friendly wager, while an Austin company hosts an alternative event.