How I Climbed Into a Fat Knight, and He Into Me
Playing Falstaff is a gift that keeps on giving, and not just because it’s among the greatest roles in the canon.
Playing Falstaff is a gift that keeps on giving, and not just because it’s among the greatest roles in the canon.
New York Shakespeare Exchange, having run through the sonnets, expands its sights to the whole distracted globe.
In a new staging, 7 actors trade off parts, randomly selected each night from—what else?—Yorick’s skull.
Proving that the Bard can be revered with irreverence, Folger Theatre presents a ‘lost’ play that never was.
From clown noses to wolf heads, America to Israel, ‘Presenting Shakespeare’ showcases how the Bard’s work is sold around the world.
The couple behind Houston’s Stark Naked Theatre Company has learned that working together works better.
With the help of Asian-American advisors, Lamplighters Music Theatre is radically recovering the Gilbert & Sullivan classic.
Sholem Asch’s contested Yiddish classic is grist for Vogel and Taichman’s meditative new play-within-a-play.
Hilary Bettis’s new play, about the disappearing women of Mexico’s Ciudad Juarez, is appearing at several theatres.
Lin-Manuel Miranda won the top honor; ‘Gloria’ by Branden Jacobs-Jenkins and ‘The Humans’ by Stephen Karam were named finalists.