For Michael John LaChiusa, When It Rains It Pours
With ‘Rain’ and ‘First Daughter Suite,’ the composer/lyricist returns to signature themes in typically uncharted ways.
With ‘Rain’ and ‘First Daughter Suite,’ the composer/lyricist returns to signature themes in typically uncharted ways.
He may be known for writing about fathers and sons, but his women often get the last word.
The Goodman Theatre’s diversity and inclusion efforts, thankfully for me and others, include disability.
How did a modest Off-Broadway company become America’s biggest nonprofit theatre? Having Todd Haimes at the helm probably didn’t hurt.
The new-play development program gives writers the freedom to explore with the help of multidisciplinary artists.
The songwriter and actress talk about how their romantic partnership evolved into a working one with their band, Sky Pony.
The former co-director of the Under the Radar Festival stops by, and the editors discuss Salt Lake City and the latest yellowface controversy.
At the Denver Center for the Performing Arts’s annual new play festival, diversity was front and center.
The playwright and director came up together in Chicago theatre. Now they’re kicking off Shapiro’s Steppenwolf regime with Letts’s ‘Mary Page Marlowe.’
How three plays about Lorraine Hansberry’s Younger family and their house resonate with each other—and with our current moment.