Phillip Fazio Named Naples Players Artistic Director
He joins CEO and executive artistic director Bryce Alexander in leading the organization.
He joins CEO and executive artistic director Bryce Alexander in leading the organization.
The versatile director returns to Little Rock, joining executive director Will Trice and producing director Ken-Matt Martin to lead their hometown regional theatre into its next chapter.
This month we speak to the playwright and director of a new play at the Huntington, and check in with NY Times critic at large Maya Phillips.
Theatre in Kosovo—state-sanctioned and safe during the Soviet era, scrappy in the war years—offers models both cautionary and instructive for U.S. theatres facing headwinds.
She knew every subscriber to her L.A. theatre by name, and she was no less inviting to artists.
Other updates include a cancellation of Challenge America grants and a new emphasis on patriotic ‘America250’ projects.
This month Brian talks with playwright, director, and performer Aya Ogawa about “hacking away with a machete” toward a career and directing their own work.
A roundup of prizes, fellowships, and other recognitions.
A poet/playwright reflects on the disturbing, arresting lessons of the Greek plays she’s wrestled with for much of her career.
The world outside can’t help but enter the classroom, which offers both a challenge and an opportunity to make theatre training more meaningful.