A Song That Old Was Sung
This month, Gabriela describes visceral reactions to Chicago stages, Jerald highlights Steppenwolf, plus we get a Halloween preview from two local costume designers.
This month, Gabriela describes visceral reactions to Chicago stages, Jerald highlights Steppenwolf, plus we get a Halloween preview from two local costume designers.
In this month’s Offscript, we hear from three leaders who bring the world together through Shakespeare and new work. Plus, we learn about a new generative arts journalism fellowship.
Shakespeare’s iconic villain has always been disabled, but increasingly the actors playing him—and the productions and adaptations they star in—reflect disability aesthetics and activism.
The city’s theatres are stumbling back to their feet, with mixed results and a seemingly cavalier attitude toward COVID.
Choice notes from an extraordinary theatregoing career, documenting trends and artists of the late 20th-century stage.
The gender-parity tide may finally be turning in Britain and Ireland, but there’s still work to be done.
To a large extent, we work in the theatre he made: modern, classic, vigorous, rigorous, company-based.
An ongoing study at Ohio State is developing both the science and the art of teaching students on the autism spectrum.
One sign that Shakespeare’s most famous tragedy isn’t going away: No one can agree on what it’s about.
International and local companies converge at Chicago Shakespeare Theater for the quadricentennial of the playwright’s death.