Sam Gold on the High Wire
The New York director balances classics and new plays, in big venues and small, while stripping away the safety net.
The New York director balances classics and new plays, in big venues and small, while stripping away the safety net.
In an interview, Cicely Berry reveals how working on the sound and rhythm in Shakespeare can lead actors to the language within themselves.
A continued recovery harbors some worrisome omens.
But if artists from the clashing worlds of rock music and theatre settled their differences, they just might get what they need.
There’s a revolution afoot in theatre design that takes its cue from the three-dimensional spaces of centuries past.
Can you go ‘Homecoming’ again?