Conor McPherson, Bringing Dylan Back Home
How did an Irish playwright put an American icon’s music on the stage? It helped to think a bit like a songwriter.
How did an Irish playwright put an American icon’s music on the stage? It helped to think a bit like a songwriter.
Has theatre wounded me as much as or more than it’s healed me?
Lynn Nottage’s play about Rust Belt economic discontent will be presented throughout 18 Midwest cities this fall.
The season will feature a world premiere play by Suzan-Lori Parks and a new Bob Dylan musical.
Do a crop of inward-looking new plays about white privilege represent a step forward, or are they an expression of privilege in themselves?
Creating a safe and inclusive working environment should be a high a priority as any other policy or program within our organizations.
Four fundraisers talk about what keeps them going, and what it takes to keep the arts alive.
Three theatres that didn’t let a crisis stop them—or go to waste.
Given the chance to play Claudio as a black man, neither I nor our production took the racial implications lightly.
The crushing homogeneity of theatre criticism means it’s missing crucial perspectives—and its relevance to readers.