What ‘The Chinese Lady’ Can Teach Us About Asian America, Then And Now
Lloyd Suh’s play, which will be the most-produced of the coming season, speaks directly both to our tangled past and our complicated present.
Lloyd Suh’s play, which will be the most-produced of the coming season, speaks directly both to our tangled past and our complicated present.
The stage and screen giant, recently appointed dean of Howard University’s College of Fine Arts, looks back—and ahead—on an extraordinary career.
From development directors to arts consultants, this edition’s focus is on folks who help generate the support for the making of theatre.
Now 30 years old, the Americans with Disabilities Act has made historic access achievements for audiences. Now how about access for performers and backstage workers?
Lorraine Hansberry Theatre and San Francisco Playhouse come together for a filmed co-production of Erika Dickerson-Despenza’s play.
At Long Wharf Theatre’s recent ‘Artistic Congress’ convening, two leading playwright/activists shared their dreams and demands for the theatre field.
This week the critics talk to the grass-roots campaign Be An Arts Hero and discuss shows they’ve seen, including last week’s Democratic convention.
From the birth of P.T. Barnum to the Broadway transfer of ‘A Chorus Line,’ July was a hot month for U.S. theatre.
The group includes Nissy Aya, Aya Aziz, Francisca Da Silveira, Katie Do, Timothy DuWhite, Ying Ying Li, Julián Mesri, AriDy Nox, Jacob Marx Rice, and Else Went.
The celebrated director of ‘Hair,’ Great Lakes Theater AD, and UNCSA dean taught his students invaluable lessons that apply equally to theatre and to life itself.