Sam Gold on the High Wire
The New York director balances classics and new plays, in big venues and small, while stripping away the safety net.
The New York director balances classics and new plays, in big venues and small, while stripping away the safety net.
An interview with Melissa James Gibson about her play ‘This.’
Companies in New York and Texas take on a plethora of techniques in workshop productions about actor training.
Experienced mentors share notes—and spark a spate of provocative questions.
Her locales are on the map, but you haven’t been there yet.
Larson’s demise leaves his musical to speak for itself amidst the hype.
In the New American Epics, drama busts out of the living room into the open spaces of our national history.