Why ‘Our Town’ Springs Eternal, but Especially Now
Thornton Wilder’s 80-year-old play offers something more than comforting nostalgia in a troubled American moment.
Thornton Wilder’s 80-year-old play offers something more than comforting nostalgia in a troubled American moment.
This month the ‘Malcolm’ mom will play the Stage Manager in a production with Pasadena Playhouse and Deaf West.
The two companies will stage ‘Our Town,’ the Hypocrites will bring their immersive ‘Pirates of Penzance,’ and Culture Clash will revisit ‘Bordertown.’
Feldman will take over for artistic director Sheldon Epps, who will retire at the end of the year.
The artistic director’s final season will include a new musical from Randy Johnson and Cheryl West.
In the struggle to make work on tiny budgets, small theatres in New York, Chicago, and Los Angeles may have more in common than not.
The season features 16 productions from all over the globe, with storytelling through shadows, puppetry, and music for the young, from toddlers to teens.
The California theatre plans a new musical by Kirsten Guenther, Cliff Downs and Katie Kahanovitz, plus plays by Josefina Lopez, Ricardo Khan and Harvey Fierstein.
She leaves the California theatre after three years in the post to take a job leading the San Diego Civic Theatre and the Balboa Theatre.
While his play about gangster clowns surfs the immersive-theatre wave, the well-known blogging playwright has other tricks up his sleeve.