Theatre, Community, and Justice
An EDI consciousness is already fundamental to the work of some theatre practitioners, but it has expanded exponentially.
An EDI consciousness is already fundamental to the work of some theatre practitioners, but it has expanded exponentially.
This month, playwright Brian James Polak travels to Milwaukee, Wisc., to interview Catherine Trieschmann, the writer of ‘How the World Began’ and ‘One House Over.’
The season will feature 15 productions, from premieres to contemporary classics and musicals.
Three theatres that didn’t let a crisis stop them—or go to waste.
After the degree (or without it), there are myriad alternatives for directors to learn their chops.
Sure, theatres can find ways to spread the word without critics, but patrons still want—and deserve—disinterested reviews.
The awards will fund extra time for the development of 27 new productions across the country.
In a state that tipped red decisively in 2016, the opportunity for theatrical dialogue across divides seems ripe and freshly urgent.
Caution may make sense in a crisis, but our long-term missions require us to make bolder choices.
Japan’s Tadashi Suzuki revisits SITI, the U.S. company he helped found 25 years ago.