John Dillon: A Mild-Mannered Man With the Soul of an Adventurer
At Milwaukee Rep and around the world, this passionate director put his focus on others—writers, actors, audiences—and we all benefited.
At Milwaukee Rep and around the world, this passionate director put his focus on others—writers, actors, audiences—and we all benefited.
A roundup of prizes, fellowships, and other recognitions.
Box office isn’t the main revenue source for most nonprofit theatres, nor is pricing the biggest barrier for most patrons—but both sides of this exchange could benefit from more transparency.
With a book by Eric Simonson and songs by the Violent Femmes’ Gordon Gano, Milwaukee Rep brings a legendary true crime saga to the city where it began.
This 4-month state-wide celebration of theatrical abundance is already strengthening bonds among artists and audiences, all while keeping the focus on new writing.
How Lloyd Suh’s ‘The Chinese Lady’ made it through 2 years of pandemic, protest, and anti-Asian hate to emerge as the nation’s most-produced and possibly most essential play.
A producer on and Off-Broadway, she founded Drama Inc., now Milwaukee Rep, in 1954.
As theatres begin to emerge from pandemic restrictions, many are recommitting to programs designed to engage their youngest stakeholders.
A movement to end unpaid and low-paid internships gains momentum, collecting testimony from more than 1,600 current and former interns.
An Irish director hails the ensemble ethic and sharp focus of U.S. resident theatres, which compare favorably to any he’s worked with around the world.