Michael Greif’s Triple Play
The director of ‘Days of Wine and Roses’ and ‘Hell’s Kitchen’ and co-director of ‘The Notebook’ talks about his busy Broadway season and his specialty in shows about mental health.
The director of ‘Days of Wine and Roses’ and ‘Hell’s Kitchen’ and co-director of ‘The Notebook’ talks about his busy Broadway season and his specialty in shows about mental health.
On the closing weekend of ‘Dear Evan Hansen,’ its lead producer looks back at an unforgettable journey that opened a window into a mental health movement.
Broadway-bound for the first time at 79, working actor Beasley feels that his role in ‘The Notebook’ came along at just the right time.
Twenty years after he premiered the musical Off-Broadway, director Michael Greif promises an all-new production, with a 1,500-person studio audience.
He’s happily played underdogs and second bananas, but in a new musical from Justin Paul and Benj Pasek, the ‘Pitch Perfect’ star at last has a role with range—and not just vocally speaking.
Great actors in the full sway of their passions are likely to be more persuasive conduits to the interior of plays than the arbitrary, decorative conceptions of postmodernist directors.