The Man Who Tickled the Great Intelligent Beast
The creator of impro, a hugely influential approach to improvisational theatremaking, Keith Johnstone is still guiding students, even after his death.
The creator of impro, a hugely influential approach to improvisational theatremaking, Keith Johnstone is still guiding students, even after his death.
The designer’s friend, colleague, and mentee recalls him as a tirelessly busy, no-fuss genius who cherished real materials and was always ready with a brilliant drawing or model.
At Trinity Rep, Hall built a questing, adventurous theatre and brought a company of actors, and Providence audiences, along with him.
Inheriting the Ridiculous Theatrical Company from his lover, Charles Ludlam, Quinton carved his own beloved niche in the theatre pantheon.
The longtime artistic director and new-play champion had a gentle, calming presence, but he never shied away from tough conversations.
Boundlessly creative, unfailingly astute, he didn’t just make and teach theatre of the mind but of the heart as well.
In his lifelong affair with the theatre, he could be a possessive, even jealous lover, but both his intellectual acuity and his abundant humanity shone through all his writing.
Theatre critic for the Los Angeles Times for 22 years, and longtime leader of the O’Neill Critics Institute, Sullivan was an old school newspaperman and a tireless teacher of the craft.
From our first meeting, he opened me up to a panorama of possibilities, not only in the theatre but in myself.
An irresistible advocate of Latine theatre artists, the founder of the Chicago Latino Theatre Alliance paved the way for so many of us, and did it with love, grit, and grace.